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41 EGW 6BIO 302.1 (1982 Ellen G. White: The Later Elmshaven Years: 1905-1915 (vol. 6))
… in illustrations were made, a subject index was added, and the book was dressed up generally.
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42 EGW 3BIO 455.1 (1984 Ellen G. White: The Lonely Years: 1876-1891 (vol. 3))
… an illustration, very pointed, [Elder] Larson had on a broad grin. I said,“What is it, Brother Larson? Have I spoken anything that is improper?” I asked twice the reason …
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43 EGW 1BIO 412.4 (1985 Ellen G. White: The Early Years: 1827-1862 (vol. 1))
He cited a recent experience as an illustration, making his point crystal-clear:
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44 EGW 6BIO 181 (1982 Ellen G. White: The Later Elmshaven Years: 1905-1915 (vol. 6))
An Important Principle Illustrated
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45 EGW 6BIO 454.1 (1982 Ellen G. White: The Later Elmshaven Years: 1905-1915 (vol. 6))
(D) in the translating, typesetting, and illustrating of her books in many languages.
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46 EGW EGWE 78.3 (1975 Ellen G. White in Europe 1885-1887)
She used the illustration of the Jewish Temple. Its stones were quarried out of the mountains, but when they were brought together they formed a perfect building. Then, with great candor, she said:
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47 EGW 1BIO 11.5 (1985 Ellen G. White: The Early Years: 1827-1862 (vol. 1))
7. To make the work not only an interesting narrative but to provide a selection of illustrative experiences with which the reader may at times vicariously associate himself.
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48 EGW 1BIO 343.1 (1985 Ellen G. White: The Early Years: 1827-1862 (vol. 1))
6. Does not the state of the Laodiceans (lukewarm, and neither cold nor hot) fitly illustrate the condition of the body of those who profess the third angel's message?— Ibid.
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49 EGW 3BIO 307.7 (1984 Ellen G. White: The Lonely Years: 1876-1891 (vol. 3))
She employed the illustration of the Jewish temple. Its stones were quarried out of the mountains, but when they were brought together they formed a perfect building. Then with great candor she declared:
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50 EGW 4BIO 9.9 (1983 Ellen G. White: The Australian Years: 1891-1900 (vol. 4))
7. To make the work not only an interesting narrative but a selection of illustrative experiences with which the reader may at times vicariously associate himself.
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