- Introduction
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- Chapter 1—A Heavenly Talent
- Chapter 2—Design for Communication
- Chapter 3—A Tool for Evangelism
- Chapter 4—Importance of Speech Education
- Chapter 5—The Role of Parents
- Chapter 6—The Role of Teachers
- Chapter 7—Students and Speech
- Chapter 8—The Influence of Words
- Chapter 9—Persuasion Through Speech
- Chapter 10—Misuse of the Gift
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- Chapter 11—Nature of His Voice
- Chapter 12—Effectiveness of Presentation
- Chapter 13—Love, Sympathy, and Kindness
- Chapter 14—Patient Calmness
- Chapter 15—Simplicity
- Chapter 16—Power, Authority, and Earnestness
- Chapter 17—Words of Truth
- Chapter 18—No Complicated Reasoning nor Argument
- Chapter 19—Christ's Study of Countenances
- Chapter 20—Adaptation to His Listeners
- Chapter 21—Illustrations, Symbols, and Figures of Speech
- Chapter 22—The Worker's Model
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- Chapter 23—Revelation of Christ
- Chapter 24—Modesty, Truthfulness, and Discretion
- Chapter 25—Kinds of Negative Speaking
- Chapter 26—Love and Kindness
- Chapter 27—Effect of Words on Oneself
- Chapter 28—Discernment in Reproof
- Chapter 29—Praise and Thanksgiving
- Chapter 30—Care in Speaking of Others
- Chapter 31—Hope and Encouragement
- Chapter 32—Faith a Topic of Conversation
- Chapter 33—Simplicity in Our Speech
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- Chapter 38—Love and Kindness
- Chapter 39—Simplicity and Clarity
- Chapter 40—Pure Language
- Chapter 41—Earnestness and Assurance
- Chapter 42—Conversational Manner
- Chapter 43—No Harsh Words nor Debating Spirit
- Chapter 44—Brevity
- Chapter 45—Speed and Tone
- Chapter 46—Anecdotes and Humor
- Chapter 47—Illustrations and Visual Aids
- Chapter 48—Oratorical and Theatrical Display
- Chapter 49—Danger of Excessive Emotion
- Chapter 50—Being Heard, but Not by Shouting
- Chapter 51—Refinement and Solemnity of Demeanor
- Chapter 52—Every Person an Original
- Chapter 53—The Real Proof of Preaching
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- Chapter 64—The Power of Song
- Chapter 65—Christ's Singing
- Chapter 66—Voice Culture and Song
- Chapter 67—Wrong Use of the Voice in Music
- Chapter 68—Singing That Is to God's Glory
- Chapter 69—Song a Part of Worship
- Chapter 70—Singing a Means of Witness
- Chapter 71—Singing in Israel's Experience
- Chapter 72—Song at Christ's Resurrection and Ascension
- Chapter 73—Song in the Last Great Crisis
- Chapter 74—Songs of the Redeemed
Peter
Adaptation to His Audience—With clearness and power Peter bore witness of the death and resurrection of Christ: “Ye men of Israel, hear these words:VSS 365.3
Jesus of Nazareth, a man approved of God among you by miracles and wonders and signs, which God did by Him in the midst of you, as ye yourselves also know: Him ... ye have taken, and by wicked hands have crucified and slain: whom God hath raised up, having loosed the pains of death: because it was not possible that He should be holden of it.”VSS 366.1
Peter did not refer to the teachings of Christ to prove his position, because he knew that the prejudice of his hearers was so great that his words on this subject would be of no effect. Instead, he spoke to them of David, who was regarded by the Jews as one of the patriarchs of their nation.—The Acts of the Apostles, 41.VSS 366.2
Christ As His Example—This courageous defense appalled the Jewish leaders. They had supposed that the disciples would be overcome with fear and confusion when brought before the Sanhedrin. But instead, these witnesses spoke as Christ had spoken, with a convincing power that silenced their adversaries. There was no trace of fear in Peter's voice as he declared of Christ, “This is the stone which was set at naught of you builders, which is become the head of the corner.”VSS 366.3
Peter here used a figure of speech familiar to the priests.—The Acts of the Apostles, 63, 64.VSS 366.4