A. The Music at the 1900 Indiana Camp Meeting Described by Eye Witnesses
- As Set Forth in the Writings of Ellen G. White
- Introduction—A Word From the Compiler
- Chapter 1—The Role of Music
- Chapter 2—The Effective Use Of Music In Israel’s Experience
- Chapter 3—Desirable Qualities
- Chapter 4—Undesirable Qualities
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- Chapter 6—The Lure of Worldly Music
- Chapter 7—Secular Music
- Chapter 8—The Musical Performers
- Chapter 9—Testimony to a Sensitive Choir Director
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Chapter 5—Religious Music Made Satan’s Snare
A. The Music at the 1900 Indiana Camp Meeting Described by Eye Witnesses
Its Almost Overwhelming Impact
There is a great power that goes with the movement [Holy Flesh] that is on foot there. It would almost bring anybody within its scope, if they are at all conscientious, and sit and listen with the least degree of favor; because of the music that is brought to play in the ceremony. They have an organ, one bass viol, three fiddles, two flutes, three tambourines, three horns, and a big bass drum, and perhaps other instruments which I have not mentioned. They are as much trained in their musical line as any Salvation Army choir that you ever heard. In fact, their revival effort is simply a complete copy of the Salvation Army method, and when they get on a high key, you cannot hear a word from the congregation in their singing, nor hear anything, unless it be shrieks of those who are half insane. After an appeal to come forward for prayers, a few of the leading ones would always come forward, to lead others to come; and then they would begin to play on the musical instruments, until you could not hear yourself think; and under the excitement of this strain, they get a large proportion of the congregation forward over and over again.—S. N. Haskell report to E. G. White, September 25, 1900.MRQI 13.1
Dance tunes and Sacred Words
We have a big drum, two tambourines, a big bass fiddle, two small fiddles, a flute and two comets, and an organ and a few voices. They have “Garden of Spices” as the songbook and play dance tunes to sacred words. They have never used our own hymn books, except when Elders Breed or Haskell speak, then they open and close with a hymn from our book, but all the other songs are from the other book. They shout Amens, and “Praise the Lord,” “Glory to God,” just like a Salvation Army service. It is distressing to one’s soul. The doctrines preached correspond to the rest. “The poor sheep are truly confused.”—Mrs. S. N. Haskell report to Sara McEnterfer, September 12, 1900.MRQI 13.2
Lively Songs and Self-Induced Hysteria
I attended the camp meeting in September of 1900, which was held at Muncie, where I witnessed first-hand the fanatical excitement and activities of these people. There were numerous groups of people scattered all over the campground engaged in arguing and, when these fanatics conducted the services in the large pavilion, they worked themselves up to a high pitch of excitement by the use of musical instruments, such as: trumpets, flutes, stringed instruments, tambourines, an organ, and a big bass drum. They shouted and sang their lively songs with the aid of musical instruments until they became really hysterical. Many times I saw them, after these morning meetings, as they came to the dining tent fairly shaking as though they had the palsy.—Burton Wade account to A. L. White, January 12, 1962.MRQI 13.3